A plan of the slave ship Brookes that was used to advance the cause of abolitionists has been acquired by the Reeves Museum at Washington and Lee University, where it will complement a collection of abolitionist ceramics.
Museums at W&L
A pair of Bijin, or beautiful women, made in Arita, Japan, between 1690 and 1720 are the first of their kind in the Reeves Museum of Ceramics at W&L.
A generous donation of art last year from Rick Kramer '69 includes three works by Sam Gilliam, one of the most significant living artists of our time.
A plate decorated with a widely distributed political cartoon of the American Revolution was used as commentary on the political, social and economic issues of the time.
A new gift to the Reeves Museum of Ceramics documents how one artist is responding to the COVID-19 pandemic.
In Case You Missed It
“To See Color First,” the first comprehensive study of Louise Herreshoff Eaton’s bold and expressive watercolors, opens April 27 as a virtual exhibition.
In the “Unmarked” episode of the “Reel South” series, Rainville highlights her research into historic African American cemeteries.
This plate, a recent gift to W&L's Reeves Museum of Ceramics from local collectors Joan and Jay Crawford, provides a window into Chinese culture and the material lives of one of Virginia’s most prestigious families.
For anyone participating in online learning during this time, there are several resources available through the museums that can help enrich the virtual classroom experience.
W&L's studio art majors present their senior projects in an online exhibition.
A jar on display in the Reeves Center is an example of talavera poblana, which is tin-glazed earthenware made in Puebla, Mexico.
The title of Lynn Rainville’s talk is “Untold Stories of Founders, Leaders and Other Visionaries at W&L.”
After conservation next year, the 154-year-old Stieff piano inside Lee House will be playable once more.
As Native American Heritage Month kicks off, University Collections of Art and History invites you to see artwork by Native American artists and featuring Native American people and cultures.
A jar in the Reeves Collection tells the story of an African-American craftsman in Antebellum America.
Lynn Rainville, community initiatives fellow at the University of Virginia’s Institute for Advanced Technology in the Humanities and former dean of Sweet Briar College, will be the inaugural Director of Institutional History at Washington and Lee University.
On March 1, W&L’s University Collections of Art and History will open its newest exhibit, "Breaking the Chains: Ceramics and the Abolition Movement."
University Collections of Art and History recently purchased prints by iconic American artists Thomas Hart Benton and James Abbott McNeill Whistler, and they are already being incorporated into courses in art and art history.
This porcelain dish, which tells a story about the Dutch East India Company and the Dutch Golden Age of the 17th century, will be used in classes ranging from art history to economics.
“An Embassy from the East-India Company of the United Provinces to the Grand Tartar Cham Emperor of China" tells the story of a trade delegation sent from the Dutch East India Company to China in 1655-57.
The historic institutions will temporarily exchange iconic portraits of George Washington, which will go on public view in mid-December.
Friends and classmates of Jeanne de Saussure Smith ’08 have dedicated an E. E. Cummings painting to W&L in her memory.
This elegant bowl, which is part of W&L's Reeves Collection, can be traced back to the Opium War of 1839-1842.
After Tucker Hall was restored, University Collections of Art & History worked to find the perfect art to adorn its walls — including four bas-relief sculptures that hung on campus more than 100 years ago.
Looking for older stories? See the complete Museums at W&L archive.